If you are interested please click on this link and make an Offer
Thank you!
Are you looking for Quality (Tested) pre owned cameras, lenses and accessories?
Presenting PreOwnedCameras.com, PreOwnedCamera.com SecondhandLens.com And PreOwnedLens.com
One of the interesting things about the entries in this month's colour theme of “the dynamics of colour” is that so many of the strongest entries chose to use a single colour to draw the reader's interest and I think that says something quite powerful about the use of colour in photography. Simply splashing colour The post Dynamics of Colour Photo Contest Winners appeared first on Light Stalking.
I have often said that there are six stages to a photographer’s life. The very first is wow, that moment when you realise that photography is for you, something that is going to consume you for many years to come. The second stage is woe. That’s the defining moment when you realise that there is The post Turning Woe Back To Wow in Photography appeared first on Light Stalking.
There's a new proposed class action lawsuit against Meta that alleges they harvested Facebook and Instagram photographs for biometric information that was used to train image generation models and develop an, as yet, unreleased facial recognition feature called Nametag for smart glasses. Meta says that the lawsuit has misrepresented the situation and notes that Nametag The post Meta Sued Over Using People’s Photos for AI and Facial Recognition appeared first on Light Stalking.
My Sony has 61 million pixels. I could buy a Fuji with 100 million pixels. I could even buy a Samsung phone with 200 million pixels. All of this sounds very impressive until you realise that 99% of us never need that many pixels 99% of the time. The reason these high megapixel counts sound The post The Megapixel Myth appeared first on Light Stalking.
I have a confession. For several years, I have had access to Lightroom and Photoshop for free. Not because I am an illegal downloader but because I submitted to Adobe Stock. Adobe contributors that made over a certain amount of sales per year were given either the Lightroom/Photoshop package or a full Adobe subscription to The post Leaving Lightroom appeared first on Light Stalking.
It's been another wonderful week in the world of photography with our friendly and generous community. As always, if you would like to join us, I highly encourage you to sign up here and we'll let you know when the next intake is. In the meantime, let's jump straight into it. Photo Of The Week The post Dirty Windshields, Dealing With Wind, Camera Movement, and Getting Bored: This Week In The Light Stalking Photography Forums appeared first on Light Stalking.
Photography News and Community for Creative Professionals
I love exploring photography in all its forms, and that extends to novelty cameras. When I saw the Godox C100, which looks like it belongs in the 1990s, I had to try it as a new way of making images. It has no rear screen, so you can't perfect your composition, and you can't check a shot after you take it either.
Burst shooting costs nothing per frame, so after a big day in a new place, it's easy to come home with thousands of files and an evening of culling ahead. That math feels free until you notice how much of your attention went into pressing the shutter and how little went into looking at the place you traveled to see.
An f/2.8 telephoto zoom is usually the heaviest lens in an APS-C bag, and the Sigma 50-120mm f/2.8 DC OS Contemporary is built to change that. If you shoot Fujifilm, Sony, or Canon crop bodies, a stabilized fast zoom at this size fills a spot that has mostly gone to much bigger glass.
If you've ever packed a camera for a bike ride, you know the body is rarely the heavy part, since a couple of lenses with any reach can fill a bag faster than the camera itself. The OM System OM-3 and the Micro Four Thirds format offer one answer to that weight problem, and a long ride along the Northumberland coast puts that answer to a practical test.
Canon and Nikon shooters have had autofocus 85mm f/1.2 lenses for years, while anyone on Sony E-mount or L-mount has had to settle for f/1.4 or give up autofocus entirely. The new Sigma 85mm f/1.2 DG Art changes that, and it asks a fair question of anyone who already owns a good f/1.4 portrait lens.
Google News
Google News
Google News
Google News
Google News
Google News
Google News
Google News
Google News
Google News
Google News
Google News
The microscopic video of beating airway cilia that won Nikon Small World in Motion 2026 has been disqualified for breaking the competition’s rules on generative... The post Nikon Small World in Motion Disqualifies 2026 Winner Over Generative AI appeared first on DIY Photography.
Tamron has introduced the 20-40mm f/2.8 Di III VXD, a compact, constant-aperture zoom for Sony E and Nikon Z shooters. At $729, it sits well... The post Tamron 20-40mm f/2.8 Packs Constant Aperture and Close-Focus into a Travel-Friendly Package appeared first on DIY Photography.
A software researcher has got Doom running on the Hasselblad X2D, bringing the classic shooter to a 100-megapixel medium format camera. The post Someone Got Doom Running on a Hasselblad. Of Course They Did. appeared first on DIY Photography.
Sigma has just announced two new Contemporary lenses for APS-C mirrorless shooters. The Sigma 16-300mm f/3.5-6.7 DC OS is marketed as the world-first 18.8x zoom... The post Sigma’s New 16-300mm f/3.5-6.7 and 50-120mm f/2.8: Practical APS-C Lenses for All Situations appeared first on DIY Photography.
Can you make the Sun turn black? Well, you can. But a fair warning: do not try this at home (or outside). In this article,... The post This Satellite Photograph Shows a Black Sun: Why did the Sun Turn Black? appeared first on DIY Photography.
NASA’s Curiosity rover has photographed the Martian landscape shortly after sunrise, capturing distant wind-carved ridges on Mount Sharp in unusual early-morning light. The six-image panorama... The post NASA’s Curiosity Rover Captures a Martian Landscape at Dawn appeared first on DIY Photography.