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September's photo competition had submissions ranging from sports, to wildlife, street and simple backyard moments. When choosing the winning photos, we wanted to make sure that the decision process was based on a good interpretation of the theme, followed by other factors like light, composition, story, details, creative vision, etc. First Place: “Clear” by Stefanie Markham The post September 2026 Photo Contest Winners: Decisive Moments appeared first on Light Stalking.
In staggering news from several sources, the famous Getty Images is applying for Chapter 11 bankruptcy and planning to go private. As a private company, Getty will be controlled by the Getty family affiliates as well as Koch Equity Development and will also be backed by $533 million in new equity. This comes after its The post Getty Images Bankrupt! appeared first on Light Stalking.
One of the interesting things about the entries in this month's colour theme of “the dynamics of colour” is that so many of the strongest entries chose to use a single colour to draw the reader's interest and I think that says something quite powerful about the use of colour in photography. Simply splashing colour The post Dynamics of Colour Photo Contest Winners appeared first on Light Stalking.
I have often said that there are six stages to a photographer’s life. The very first is wow, that moment when you realise that photography is for you, something that is going to consume you for many years to come. The second stage is woe. That’s the defining moment when you realise that there is The post Turning Woe Back To Wow in Photography appeared first on Light Stalking.
There's a new proposed class action lawsuit against Meta that alleges they harvested Facebook and Instagram photographs for biometric information that was used to train image generation models and develop an, as yet, unreleased facial recognition feature called Nametag for smart glasses. Meta says that the lawsuit has misrepresented the situation and notes that Nametag The post Meta Sued Over Using People’s Photos for AI and Facial Recognition appeared first on Light Stalking.
My Sony has 61 million pixels. I could buy a Fuji with 100 million pixels. I could even buy a Samsung phone with 200 million pixels. All of this sounds very impressive until you realise that 99% of us never need that many pixels 99% of the time. The reason these high megapixel counts sound The post The Megapixel Myth appeared first on Light Stalking.
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Inflatable LED lights are one of those ideas that sound gimmicky. A soft, glowing tube you inflate like a pool toy, then use to light a portrait or paint with color in the dark. It's the kind of gadget that could easily be all novelty and no substance. I wanted to answer a simple question for myself: do these things actually deliver usable results, or are they just a throwaway item destined for the back of a drawer? I tested the Neewer GC30C Inflatable LED Light to find out.
Most fall edits in Lightroom go the same way: you open a frame full of yellow leaves, push vibrance and saturation, and end up with something that looks worse than what came out of the camera. Warm hues clip and smear fast, and a heavy hand turns a glowing tree into a flat neon blob.
Most of your time with a camera happens under ordinary skies at ordinary places, yet the landscape images that get the most attention online are blazing sunsets over famous viewpoints. That gap shapes what you think a successful outing looks like, and it can make the scenes you actually encounter feel like second best.
Fisheye lenses for medium format have been close to nonexistent, so if you shoot a Fujifilm GFX or Hasselblad body and want that look, you've usually had to adapt glass that doesn't cover the sensor properly. AstrHori's new 8mm fisheye goes after that gap with a circular image and a field of view wider than a full hemisphere.
For decades, a photography career seemed to hinge on one or two pictures, the frames that appeared in every magazine profile and forum thread until they became shorthand for the person who made them. If you've ever wondered whether your own work needs that kind of breakout image, your answer affects how you shoot, how you edit, and how you share everything else.
A Canon patent application published in Japan on October 16 includes a complete optical design for a 70-200mm f/2 zoom covering a full-frame sensor, a combination Canon has never sold in any mount. The design, Example 9 in the filing, holds f/2.06 from 71.65mm to 194mm.
The filing, JP 2026-168807, was first reported by Canon Rumors. Canon filed it on April 4, 2025, and it contains 11 numbered examples. Eight are f/1.46 zooms: two cover roughly 51-83mm, one 44-83mm, two 36-83mm, and three 36-48mm. Examples 9, 10, and 11 cover about 72-194mm at f/2.06, f/2.5, and f/2.3.
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WarpAstron has added a new model to its WARPDRIVE EC Series of telescope mounts. The WD-20E weighs 5.7kg, yet supports telescopes and accessories weighing up... The post WarpAstron Launches WD-20E: 30kg Payload in a 5.7kg Mount appeared first on DIY Photography.
Centaurus A is a galaxy with several faces. In visible light, a broad band of dark dust crosses its bright centre. Radio observations reveal enormous... The post Six Images of Centaurus A: From Dusty Star Fields to Giant Black Hole Jets appeared first on DIY Photography.
Luminar has launched Luminar on Web, a browser-based photo editor that handles RAW files. The basic version is free, while full access costs $69 as... The post Luminar Now Runs in Your Browser With RAW Editing and Free Basic Version appeared first on DIY Photography.
Tamron just announced the 16-50mm F2.8 A, a constant f/2.8 standard zoom for APS-C cameras across Sony E, Canon RF, Nikon Z, and Fujifilm X... The post Tamron’s 16-50mm f/2.8 is a Sub-$550 APS-C Zoom That Covers Four Mounts appeared first on DIY Photography.
Someone held a Halloween-themed photo shoot at Fairmount Cemetery in Denver, splattered fake blood across a family mausoleum, and left. Staff have scrubbed the mausoleum,... The post Fake Blood Left on a Family Grave: How Far Is Too Far for a Creative Shoot? appeared first on DIY Photography.
Lomography's Joseph Petzval Métamorphose 35mm f/1.8 lens puts optical quirks front and center, with seven bokeh settings that range from subtle edge softness to dramatic image warping. The post Lomography’s New Lens Makes Your Photos Look Deliciously Weird appeared first on DIY Photography.