Fstoppers
Photography News and Community for Creative Professionals
There is a switch on your telephoto lens that many photographers never touch. It sits in the bank of controls on the barrel, usually labeled something like FULL and 3 m to infinity, and it is one of the quickest things to check when you hit the most maddening autofocus problem there is: the lens racking back and forth through its focus range while the bird you wanted flies away.
In my previous review of the Rogeti T32MAX With C32GK + RG-1, I highlighted its strengths as a well-designed, precision tripod that solved conventional issues I had long accepted as unavoidable compromises. While the T32Max excels in adaptability and modularity, it falls short for low-angle shooting because Rogeti chose to eliminate leg angle selectors to prioritize better overall stability. The only way to achieve low perspectives was to invert the entire center column, which can be cumbersome and slow in the field.
Twenty dollars can buy a film camera that shoots manual exposure, aperture priority, and autofocus, and it happens to be the same camera one longtime shooter started his whole film journey on. Film photography keeps pulling in new people every year, and picking a first camera without wasting money or ending up with a broken body is the hard part.
Smartphone cameras are good enough now that the question for many casual photographers isn't whether their phone can take the photo, it's whether they should still bother owning a camera at all. The answer has less to do with sensors and lenses than most gear debates assume.
Color grading gives you a quiet way to shift the mood of an image without wrecking it, and getting it wrong is how photos start looking fake. Two shots of the same bird, taken in different light, can end up looking like completely separate images unless you know how to steer the color.
YouTube has terminated several established ASMR channels after determining that they linked viewers to material prohibited under its nudity and sexual-content policies. The enforcement action has alarmed creators who say they received little or no warning before losing channels that served as both long-running archives and major sources of income.