Fstoppers
Photography News and Community for Creative Professionals
When this tripod came out years ago, so many of us wanted it to the point that a lot of us forced it to be useful in situations where it wasn’t the best fit. Now that we’ve seen the brand’s other tripod offerings, where it fits best is more obvious.
The Nikon ZR puts RED's raw video format, 32-bit float audio, and a 4-inch screen into a body with no viewfinder, so most of the conversation around it stays on codecs and cinema workflows. If you shoot both stills and video, the more useful question is whether it's a camera you'd pick up on a day when there's nothing to film.
You get to a beach at sunrise, the light finally shows up, and nearly every frame you take is the widest view your lens allows. That habit leaves most of a location unphotographed, and it pins the whole morning on one composition and one patch of sky.
Nikon now has three autofocus f/1.2 primes for its Z mount, a 35mm, a 50mm, and an 85mm, and each one weighs more than a kilogram. If you shoot for yourself instead of for clients, you have to decide whether any of them earns a place in a bag you actually carry every day.
A couple finds your portfolio, likes what they see, fills out your contact form, and then waits to hear whether you're free on their date and what you charge. Every hour of that wait gives them time to open another tab, and most wedding inquiry setups make some kind of wait unavoidable.
Welcome to the October installment of the Critique the Community! This month's critique theme is going to be "Scary," and we want to see your best photographs that scared you in some way. Maybe the image was scary to take, maybe it is scary to look at, or maybe it is scary for you to look back on now.
